This is the full guitar track for Good Night and Good Luck, complete with all the tiny flubs and bum notes that I masked over during mixing. The volume is also pretty shaky, but the tone is pretty sweet. Makes me wonder why I insist on using Virtual Amps.

There’s also a moment of silence at the beginning of the track, I’ve left it in there to make syncing a bit easier.

Oh, right, and it’s all played in G# Minor Pentatonic with Aeolian (I think that’s the right one) extensions, and much to my surprise, the guitar stayed mostly in tune the whole way through.